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Friday, July 29, 2011

Reader Roundup


Hi all!

I’ve spent the last week tirelessly investigating Spotify—an investigation that involved lots of Broken Social Scene, Bat for Lashes, The Hold Steady, and Iggy Pop. I suggest you jump on the bandwagon now, before the commercials get too long and irritating.

Aside from the fascinating Plagues and Pleasures on the Salton Beach, I finally got to see the James Franco- helmed film Howl, which came out in 2010. It does quite an innovative job of reconstructing Allen Ginsberg’s youthful discretions, writing process, and the obscenity trial of his poem. Lots of neat visuals. Great acting, of course, especially Franco’s recitation of “Howl”.

I loved Milton Glaser’s advice for creative types in this essay (via Longreads)

And here’s the 2007 Rolling Stone article on Amy Winehouse. Read it and be haunted.

On Thursday, I went to the Newberry Library Book Fair (Chicago)! There were so many awesome books. So many! More than my tiny muscles could carry, in fact, and I ended up leaving a few good soldiers behind.

Anyway, here’s what I did get:

March by Geraldine Brooks (I’m reading her latest, Caleb’s Crossing right now. More on that later. If you’re into historical fiction, as I am, you should pick up People of the Book. )

The Heart is a Lonely Hunter, Carson McCullers (Last summer I read The Member of the Wedding, one of my favorites.)

In the Time of the Butterflies, Julie Alvarez

Zen in the Art of Writing, Ray Bradbury (Remember when I reread F41? Good times. As I was leaving the fair, some poor soul wistfully asked me if there were any other copies of ZAW. Alas, there was not.)

The Diary of Anais Nin 1931-1934, Anais Nin (I know almost nothing about her, except that her diary is one of those great works of literature. It’s rare that a diary gets that kind of status. I mean, besides Anne Frank.)

Wednesday, July 27, 2011

Remember Me, The Salton Sea


Plagues and Pleasures of the Salton Sea, a documentary narrated by the amazing John Waters, came out in 2006. The film takes viewers on a tour of the waning former resort towns near and about the eponymous Salton Sea.

Impovrished, polluted, swarmed by sick birds and even sicker fish, the people who live there yearn for the good old days of abundance, days of celebrity vacationers and slick, modern conveniences. Now, many people stave off hunger by eating the potentially hazardous fish. They live, almost exclusively, in mobile homes. And Hollywood starlets no longer go to Salton, or know it exists.

This National Geographic article by Joel Bourne Jr. was published a year before Plagues and Pleasures was released. You should read it. It's interesting.

For more recent information (since its been a few years), see the Salton Sea Authority website.

Plagues and Pleasures ( Directed by Chris Metzier and Jeff Springer) won 35 awards for best documentary. I like it because it is a blatant reminder that the land, the water, and the people are wholly dependent on one another, even in the U.S where we often get the privilege of ignoring dire environmental consequences.

Monday, July 25, 2011

Lawler Literature: The Civil Savagery of the Third Reich

Last night, I caught glimpses of a program that I presume was on the history channel. It broadcasted rare photographs of the Nazis who conducted, operated, and perpetrated the Holocaust. Many of the images were not of the soldiers committing atrocities, but rather, of them talking, laughing, hanging out with friends, and playing musical instruments. As one historian commented, the pictures were disturbing because they expose a truth no one wants to admit: these murderers weren’t soulless demons. They were humans. For large portions of their lives, they managed to ignore the blood on their hands, to smile, to be normal.

Coincidentally, that was the day I finished reading Erik Larson’s In the Garden of the Beasts. (It’s not really a coincidence. Turn on the TV. There’s probably a program about the Nazis and/or Hitler playing right now. These shows are ubiquitous.)

Larson delves into the story of American Ambassador William E. Dodd, an unassuming diplomat who took up his position in Germany just after Hitler became chancellor. He brings his family with him to Berlin, where they live near the Tiergarten, a park at the political heart of the city (Captain Rohm lives several blocks away, and Hitler’s chancellery is located in the vicinity.) His daughter, Martha, befriends and dates top-tier Nazi officials. But the idealistic Americans soon grow disillusioned by the severity of the party and by the mindless conformity of the German public. Here’s Larson:

Throughout that first year in Germany, Dodd had been struck again and again by the strange indifference to atrocity that had settled over the nation, the willingness of the populace and of the moderate elements in the government to accept each new oppressive decree, each new act of violence, without protest. It was as if he had entered the dark forest of a fairy tale where all the rules of right and wrong were upended. He wrote to his friend Roper, “I could not have imagined the outbreak against the Jews when everybody was suffering, one way or another, from declining commerce. Nor could on have imagined that such a terroristic performance as that of June 30 would have been permitted in modern times.” (p. 328)

Dodd is witnessing the German population’s slow ebb toward learned helplessness. Like the trained dogs in Seligman’s famous experiment, they accepted the supposed inevitability of cruelty and personal violation. Nothing to be done to stop it, they perhaps believed. The photographs of the ebullient Nazis at the death camps are the logical extension of this foundational acceptance. Don’t worry, be happy.

Thus, the civilians became as acclimated to terror as the soldiers. The fish-out-of-water Dodds were less accommodating to the dissipation of their privacy:

The lives of the Dodds underwent a subtle change. Where once they had felt free to say anything they wished within their own home, now they experienced a new and unfamiliar constraint. In this their lives reflected the broader miasma suffusing the city beyond their garden wall. A common story had begun to circulate: One man telephones another and in the course of their conversation happens to ask, “How is Uncle Adolf?” Soon afterward the secret police appear at his door and insist that he prove that he really does have an Uncle Adolf and that the question was not in fact a coded reference to Hitler. Germans grew reluctant to stay in communal ski lodges, fearing they might talk in their sleep. They postponed surgeries because of the lip-loosening effects of anesthetic.

The society of the Third Reich has a lot to teach us about how oppression can thrive. It ripens on a heady diet of intolerance, fear, and utter helplessness. Dodd lost his ambassadorship when the U.S government acquiesced to the Nazi demands that he be removed. He spent the last few years of his life warning the national and international community of Hitler’s plans for world domination. Few, if any, listened. They told themselves that everything was normal, and each small ethical transgression was permissible. That’s how these things always happen. That’s how men and women transform into beasts before our very eyes.

Friday, July 22, 2011

There's Nothing Left to Say But Goodbye


The shuttle program has officially ended, and we have pictures.

If there's one thing those NASA people know, besides rocket science, obvs, it is how to take a cool photograph.

So, explore the photographic history of the space shuttle here and here.

And take a closer look at the Atlantis mission here.

Also, it might be a little late for this, but here are some iphone apps related to the last launch. One of them compiles over 2000 images from NASA's digital collection.

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In other news of American institutions closing up, Border's sent me a bon voyage email to announce the failure of the bookstore to find a buyer.

"You Call it A Rental Fee. I Call it a Fine"

This just enrages me. Barry Greenfield, a “selectman” writing for the Atlantic, proposes that we initiate a “rental fee” for public libraries.

Gah! Just what Americans need: more barricades between citizens and decent educational pursuits. I am particularly galled by is repeated assertion that libraries haven’t changed since the 1900s. He even suggests that each library start up “a small café” to “earn revenue.” Clearly, he is confusing libraries (where the most disenfranchised among us can get reliable information and entertainment) with Starbucks (where you can spend your expendable income on an overpriced latte with whip cream). I suspect the author hasn’t stepped inside a real live public library since he was just old enough to rent from the adult section. He says he has, but I am, nonetheless, skeptical.

The chagrinned commentators, among them many actual librarians, make Greenfield’s article worth reading. They almost unanimously tear him a new one. Here are a couple of my favorites; they had me shouting, “A-DUUUUUH” at the computer screen and overclicking the “like” button.

Margiedee: Sure, let's screw the people who are trying to better themselves, improve their lot in life, or contribute to society by reading books, newspapers and magazines. Let's charge them to do so. You call it a rental fee. I call it a fine or tax. It makes no sense! The public library was created and is publcally funded so that all people would have the opportunity to learn and to improve their lot in life - not just those who could afford to buy or "rent" books. And where did you get the idea that the library hasn't changed in the past 100 years? Hello? Have you heard of computers and have you noticed them in the library? How about DVD rentals, ebooks, playaways? If you want to raise revenues in your town, find another way to do it. Increase the tax on cigarettes and liquor - they serve no purpose in bettering society, and raise all of our insurance premiums. Stay away from libraries!

Gwen Ryan: Speaking as a librarian, we get a lot of underprivileged patrons, especially ones looking to use the computers. Also, considering the recent economic downturn and the bursting of the credit bubble, there are a lot of people who are going through difficult financial times because they have a high debt-to-income ratio. Since food stamps are determined based on income without taking into account debt, these people would not qualify for food stamps and yet still not be in a position to pay for library services.

But even more than that, charging a fee for some users but not for others would violate one of the core values of libraries: "All information resources that are provided directly or indirectly by the library, regardless of technology, format, or methods of delivery, should be readily, equally, and equitably accessible to all library users." http://www.ala.org/ala/aboutal...

Wednesday, July 20, 2011

Books and Videos and Games, Oh My


No longer must a media consumer simply and singularly watch a television show, or read a book, or play a video game. Transmedia storytelling links a single narrative with every platform you can think of. George R.R Martin’s spectacularly popular Game of Thrones , for example, exists as a series of novels (first and foremost), a n HBO TV series, and as Maester’s Path: “a five part multi-sensory experience” online, complete with opportunities to delve more deeply into Martin’s universe.

You see, Game of Thrones is a thick, detailed story. Like life, it is too detailed to satisfyingly represent on a screen for one hour a week. Transmedia storytelling reflects reality, in that it is interactive, has no time limit, and no real boundaries.

Another series of novels, this one geared toward the YA set, engages readers in the plot by asking participants to solve mysteries on the website. Additionally, The Amanda Project involves young readers in the writing process. They can log on to the site, interact, and drive the story. Patrick Corman’s Skeleton Creek, on the other hand, employs several sequential videos meant to blur the lines between fact and fiction, book and film.

The TV show Numbers has an online puzzle for viewers to work through. Covert Affairs, on USA, has a “tweetcast,” in which players can make assists on a critical mission. Starbuck’s multi-media promotion involved QR code, a Lady Gaga clip, a Shazam app, a twitter feed, a twitpick, and, finally, a blog post.

In a more awesome future world, these innovations will somehow lead to my toaster gaining sentience and re-enacting the entirety of “The Brave Little Toaster” as I watch the animation on my PC. My desk lamp can have a supporting role, but I will freak the F out if my A/C unit starts clunking around of its own volition. FYI.

Also, Flannery O’Conner’s Wise Blood would make an awesome interactive docudrama thing.

Monday, July 18, 2011

Reader Roundup

Here are some things you should read/look at/listen to/smell/ or whatever:

First, visit the Old Bailey...online! Old Bailey is where London's Central Criminal Courts are located, and the online version archives reams of courtroom drama dating back to 1674. Example: Mistress Ann Petty, who was over sixty at the time of her conviction for "clipping money," was sentenced to "Be Drawn on a Hurdle or Sled to Smithfield (the usual place for such executions) and there to be burned to Death." The Old Bailey, it would seem, was pretty Old Testament.

Lea of LC's Adventures in Libraryland reviewed Scott Westerfeld's Leviathan, a book I dearly want to read but keep forgetting to pick up. Thank you, Lea, for the reminder.

Also, Miriam Halahmy's post on An Awfully Big Blog Adventure reminds me how intensely disturbed I felt as teenage girl reading Lord of the Flies for the first time.

James Gleick of the New York Times makes the argument for digitizing rare and special book collections.

I also finished the wildly informative This Book is Overdue by Marilyn Johnson. As you may have guessed, I'm now slightly obsessed with librarians and (even more obsessed) with books.

And yesterday, instead of seeing the Women's World Cup, I had a Japanese/American personal film festival: I saw Kurosawa's Seven Samurai, as well as the film's Western remake, The Magnificent Seven. I guess we can all agree that soccer is good, heroism is better, and bandits should be annihilated in a violent manner.

Correction: An earlier version of this post conflated the Central Criminal Courts with the Old Bailey (which is a road, not an institution). I apologize for the error. I'm afraid my ignorance is showing.

Friday, July 15, 2011

Zine Encounters: Anarchy in the A.B.C's

I looooove the Zine Library, you guys. It gives us folks on the interwebs access to a whole bunch of uploaded zines, many of them artistic, informative, and downright entertaining.

Also, much of the material is very, shall we say, 'political' in nature. If you have an unrequited interest in anarchism, feminism, socialism, or radicalism, the Zine Library is a great place to get a pro-bono education.

I went ahead and downloaded the ABCs of Anarchy by Brian Heagney (and no, he did not chaotically rearrange the staid, traditional order of the alphabet. 'A' is still at the top, lording it over the average K's and P's).

Heagney's illustrations are certainly a thing to be seen. Especially note "'B' is for Black Bloc.'" It is a graphic full of solemn faces and dark crosshatching. A Black Bloc, by the way, is meant to be a mass gathering representative of solidarity. Because when you think anarchist, you should think unity.

Other Letters:
K is for Kabouter (Dutch word for Gnome. Name of famous Dutch anarchists)
R is for Rewilding (Going back to nature)
S is for Squat
T is for Train-Hopping
U is for Un-School (Learning that is unsanctioned by the local academic infrastructure)
And, as for the thorny letter X: it is for Xylography, a particularly radical form of making prints that makes use woodcutting.

And now I know my ABCs.

Thursday, July 14, 2011

Lawler Literature: The Deadly, Dangerous, Beautiful Circus

Having just finished Water for Elephants by Sara Gruen (a book that includes incredible black and white photos from depression-era circuses), I just happened to have a long, fascinating talk with a research librarian who had archived a large amount of circus-related memorabilia in her day.

She introduced me to the infamous 1918 Hammond Circus Train Wreck. Gruen mentions the accident as well, but only in passing. Apparently, a train engineer fell asleep at the wheel, ramming his locomotive into the Hagenbeck-Wallace circus' train. A fire erupted, consuming the sleeping cars where the performers and roustabouts were housed. 86 people died, and 127 more were injured. All this occurred in Hammond, Indiana, which is only a short trip from where I live. The burial site, Showmen’s Rest, in Forest Park, Illinois, is also nearby.

Coincidentally, we also happen to be verging on the 12th Annual International Clown Week Celebration at Showmen's Rest. This August 7 event is free, and features memorial services, speakers, activities, entertainment for kids, and prizes.

Here are some more pictures of the circus via Circus World at the Wisconsin Historical Society. Feel free to browse through their archives.



(1935) Bert Nelson wrestles an enfeebled lioness for the Hagenbeck-Wallace show, decades after the tragic Hammond crash.


(1937) A publicity photo, posed, wherein a clown helps a circus girl with her laundry.

(1937) Terrell Jacobs and wife Dolly with the Hagenbeck-Wallace circus.








Wednesday, July 13, 2011

Zine Encounters: How to be a Lady, A Guide for the Incredulous


To browse through a textbook from the past, say ten to twenty years ago, is almost inevitably a hilarious/terrifying experience. One begisn to realize just how thoroughly our biased values seeped into what is supposed to be a straightforward educational text.

In her magnificent zine series, Mystery Date: One Gal's Guide to Good Stuff, Lynn Peril bravely tackles mammoth examples of retro conservatism, presented under the auspices of education and entertainment. Her zines cleverly and humorlessly dissect Sex-Ed advice records (like John and Joan McCardle's prim Your Sexuality: A Thing of Beauty), Homemaking text books (Young Living by Nanalee Clayton was written for the domestically inclined pre-teen), films about teen misbehavior (according to Boy with a Knife, knife-wielding is an 'equalizer' among teenage boys. I'll remember that next time I encounter a young rager with a sharp object), Miss America, and living single (rather than paired, tube-sock style).

Anyway, all this to say that Peril's zines are archived online and, fingers crossed, there will be more some day. Also, check out the rad pin-up girl covers!

Tuesday, July 12, 2011

'Pic'-ing the Ruins


As someone who has had a long time obsession with the Chernobyl ruins in Pripyat, I sort of love this website, Opacity, which photographically archives abandoned structures.

But, not only does it display beautiful photos of buildings in decay, it also digs deep into the history of each location. If you peruse the pages, you can find information about Rathen State Hospital, for example, which was founded by noted social reformer Dorthea Dix in 1848. The entry on Rathen goes on to tell us that Dix actually spent the last years of her life as a patient at the institution she helped establish. And, of course, the biography explains why the various buildings became abandoned, as well as their architectural styles and motifs previous to the slow creep of decline.

Other recent additions include the Buffalo Central Terminal and Lowe’s Kings Theatre in Brooklyn. This project is incredibly worthy for obvious reasons. Remarkable buildings worldwide are under constant, if necessary, threat. So, at least their images should be preserved on the internet. One lesson we’ve surely learned, ad nauseum, since and before the San Francisco quake is that evidence of the past can be obliterated rather quickly. Perhaps we should each “save” what we can.

Back to San Francisco (1906)


On April 18, 1906, a major earthquake rumbled through San Francisco, shattering the city’s infrastructure. According to Wikipedia, over 80% of the area was destroyed in the earthquake and the resulting fires. Consequently, few remnants of pre-disaster San Francisco remain, which is a tragedy for anyone with a nascent interest in local history.

But such wholesale destruction works to highlight the value of certain rare historical gems. This footage, for example, from the Niles Essanay Silent Film Museum, unearths a bustling San Francisco mere days before the quake.

The film, shot from the back of a streetcar, documents the people and activities of Market Street on that particular day. There is no commentary. Pedestrians gawk at what must have been the odd sight of all that newfangled film equipment. They cross the lane willy-nilly, without our dependence on crosswalks. Bicyclists cruise aside horseback riders, and carriages coexists aside motorcars. It seems as though the filmmakers induced a motorist to circle the streetcar, perhaps making the road appear busier than it was (at one point, around the 3:30 mark, he nearly rams into a pedestrian. There’s no sound, but I’m sure the man was cursing Henry Ford under his breath). Rowdy paperboys taunt the camera, and a young child peaks out at it from inside a cart. An older boy waves as he hangs one-handedly from the back of his own cart.

It is a fascinating piece of work. One could spend a lifetime dissecting the features of the past that are resurrected here. Personally, I’m mesmerized.

Thursday, July 7, 2011

The Annotated 'Water for Elephants' IMDB


I'm currently reading Water for Elephants by Sara Gruen, and I was almost kind of excited to find out that a film was out there in the world. Then I found out that Robert Pattison was involved. And by involved I of course mean that he plays the protagonist. Cue emotional deflation and abject bitterness.

So, behold, I childishly went to the Water for Elephants IMDB and 'corrected' a few things. But that's only the beginning. I encourage anyone else who is bored, enraged, irritable, or, yes, bitter, to do the same. Keep it PG-13, though. Don't want to damage Pattison's delicate sensibilities.

Hopefully, this little toy works.

Wednesday, July 6, 2011

About the Casey Anthony Media Orgy

I first heard the name Casey Anthony approximately a week and a half ago, and, really, it wasn’t until yesterday that I grasped the details of the story.

Even before I glanced at the first sensationalist headline it had become yet another yada-yada infanticide case for me. Infanticide cases should not, of course, be categorized as yada-yada. But they are relatively common. In fact, I’m wondering if the appalled masses realize just how common it is for a baby to end up dead, either due to negligence or intentional homicide.

So why are my neighbors in Chicago just as obsessed with this case, a Florida case, as they were with Drew Peterson, or the Riley Fox murder? They may even be more obsessed. Not that geography should determine interest, but come on. We’re Chicago. Cute, photogenic kids get popped by stray bullets on a semi-regular basis. Plenty of them are neglected, too. Where is the outrage?

But, for one reason or another, Caylee is the dead baby we, as a nation, are most incensed about. That’s fine, I guess. It’s better than outright indifference.

I will say this, though: the Anthony trial is a ratings bonanza because it is easy on our collective conscience. It’s puff. There was only one definite bad guy: Casey. Two, if we count the alleged crimes of the father. No one outside the immediate family can be deemed responsible. It’s not society’s fault. It’s simple and straight-forward. Or at least, pretty simplified by the media.

It concerns me that we’ve fixated on a morality tale that means so little. I mean, other than the inherent tragedy/freakishness of murder. We’ve reduced it to nothing. Surely, Christian advocacy groups will take the narrative as a signifier of the breakdown of the American family. But Casey’s acquittal tells us virtually nothing about ourselves. It hasn’t been an opportunity for us to question broad social policies. Nancy Grace’s adamant contempt for Casey Anthony has not, thus far, been turned against the abysmal child welfare system.

So, in the end, who cares? When the news stations hit another slump, they’ll ferret out another spectacle for the public to feast upon. Nothing too filling, just some marshmallow puff or some sweet whipped cream that will dissolve in seconds. God forbid we consume a hardier meal.

Tuesday, July 5, 2011

Lawler Literature: Where is My Mind?

“Our life is the creation of our mind.” p, 35 The Dhammapada, trans. Juan Mascaro.

I’m re-reading Juan Mascaro’s translation of The Dhammapada, the sayings of Buddha, and right now I’m struck by the intersection between Buddhist philosophy and current psychological theories. I even went to the Psychology Today website and did a quick search for the phrase ‘mindfulness’. Let me tell you, it’s a hot topic. And no wonder: tons of research confirms that simply attempting to be mentally present reduces stress, combats depression, and allows us to be more considerate of our actions all day long.

Old as it is, mindfulness is a very contemporary notion. It asks us to pay attention to ourselves and our surroundings, closely and objectively. The new federal nutritional guidelines are in part based on mindfulness strategies. Be fully aware of what you eat and how much you eat. That’s the message. No daily recommendations, no numbers, no calorie counts. It’s a certain salve for our current mindless, cud-chewing eating habits.

But, as this article attests, obsessive self-judgment is not Zen either. It’s more about reasonable detachment, not fixation: “Many of our thoughts, urges, desires, and impulses simply bubble up from the brain in an unconscious way and no amount of mental effort, good intention, or wishing for things to be different will change that fact. You cannot control them and, for that very reason, you should not shame yourself for their mere emergence,” wrote the author, Rebecca Gladding, M.D. “Accept that they are,” she advises, “but do not act on them.”

Zen teaches us that in order to understand a mountain to be a mountain in the Zen way, the experience is to be negated first—a mountain is not a mountain—and it is only when this negation is understood that the affirmation ‘a mountain is a mountain’ becomes Reality. P 18

Labels are the enemy, if you can believe it. As humans, we like to make distinctions between good and bad, right and wrong, me and you. Capital R Reality, according to Zen tradition, mostly precludes such useless divisions. That a mountain is a mountain is largely a trick of perception, a trick of language. Its characteristics are arbitrary. The same goes for our ever unruly “thoughts, urges, desires, and impulses.”

It sucks to feel depressed, to feel lonely, to feel angry. But those feelings, on their own, aren’t good or bad. They just are. They exist. No qualifiers. You acknowledge the emotion, and then you separate it from yourself. Like the mountain isn’t a mountain, the emotions need not be emotions. They’re perceptions in disguise, masking truth.

I like this experiment wherein Dr. Stanley H. Block refutes the idea that positive thinking can lead individuals to a healthier mental state. “From a neuroscience viewpoint,” he says, “a thought is just a secretion, a droplet of a chemical where two brain cells connect (synapse).” Forced positive thinking traps us in what Block calls “the thinking box.”

For the record, positive thinking is basically the opposite of mindful acceptance. That first quote up there is not an example of the Buddha advocating the methods of The Secret. Rather, it makes a more innovative claim: with every thought, moment by moment, we determine who we are, what we are, what the world is. We can’t soley decide whether good things happen to us. Better yet, we can take good and bad out of the equation. Good and bad are insignificant. Maybe it is the finite and the infinite that we should consider.